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Quills and Ink is an initiative by James Hooke intended to raise the status of reading and writing. The aim of Quills and Ink is to inspire and encourage creative writing in our community, so we’re welcoming entries across all genres - prose, poetry, plays, essays, even song lyrics from all ages.


Thank you to all the entrants and Congratulations to the Winners.

Thank you the prize donors and our Judges who did a fabulous Job.


First

Tap Dancing Toby by Linda Kovacevic

Second

The Clutches of the Sea by John Hogan

Third

Butcher in the Woods by Crystal Sneyd

Highly Commended

Not Sixty Million Years Ago by Eva Brooks

Ha'penny for your thoughts by Marilyn Sanderson

On the Way to the Beach by Linda Kovacevic

The End is a Beginning by Deb Pugh

Short listed works

I Am Afraid Of by Aj d'Wit

Shadow Dance by Chris Russell

Still by Dianne Montague

Autumn by Hannah Southcott

Desiree’s Diet Dress by Jane Broadbere

The Widow and The Robber by John Hogan

The Man in the Blue Beanie by Linda Kovacevic

Tanked by Marilyn Sanderson

Where Does Love Go? by Marilyn Sanderson

Calendar Days by Michelina Sirianni

Consequences by Richard Lynch

Moving On by Sharon Strahand

The People Who Carried Us by Sonja Duncan

About Sadness and Loss by Tracey Murrell

The Making of a Fat, Old Lady by Tracey Murrell


The old man had been out to see Spiderman with his teenage son and they had caught the 333 bus back from Bondi Junction to the Terminus at North Bondi in order to go to a restaurant there for tea.


As they alight, the old man can’t help mentioning to his son how there used to be a turntable there in the olden days. The trams drove onto it, see, to be turned around, see, to face the other way, because trams couldn’t go both ways back then; reverse hadn’t been invented, not in Hollywood, not in life, and not in trams, he says. His son looks sceptical. In the past, boys never looked sceptical until they were men, and grown men at that; in those days, boys were accepting of the past – the stories of the bread and dripping days of The Depression; the war, hardly ever mentioned; kids were enthusiastic for a future that they heard about on the wireless, and trusting of their elders; scepticism for kids hadn’t been invented yet. But these days now, all boys have a sceptical look that they deploy regularly. And not just boys, girls too. These days children look around at the world their elders have created, and their look says it all: ‘Yeh, that’d be right.’ The look is half copied from animated characters on TV and actors in advertisements, but the rest is truly felt; the lowered eyebrow, the raised corner of the upper lip.


They sit at a small table close to a large party of twenty-somethings, with the men all sitting at one long table and the women all at the other. And they’re all rowdy. And their drinks keep coming.


Neither the old man nor the boy is starving, so they order just a main course. The boy orders the rigatoni, the old man the beef brisket. The boy a watermelon mocktail, the old man a glass of red wine. They talk about the Spiderman movie, the acting, the special effects, the monsters. Benedict Cumberbatch is the boy’s favourite actor. ‘What did you say? You dig the cucumber patch?’


Boy’s eyes roll.


When the food comes, it’s delicious. They eat in silence. Silence, that is, amidst the cacophony of voices from the long tables opposite, the laughter and the squeals, and the shouts from the far end of one table to the far end of the other. The world belongs to the young. Now. Here.


The old man doesn’t think to tell the boy that he sun-baked with his friends on the roof of this very building, back in the day, when he was not much older than the boy is now. He doesn’t want to listen to the boy’s reproach, ‘You sun-baked! What were you thinking?’ But there was no thinking about it then. Summer was a process of burn and peel and burn and peel. Get the darkest tan you could. Bill, old man’s mate then, shared the flat upstairs with his brother, above this very restaurant. They’d gone back there on the night of his twenty first, remember, and he’d made love to his girlfriend in the spare bed. Where is she now? Driven away, aeons ago. Bill had the fair Celtic skin with moles that react badly to sun-burn; and he died young (youngish) from melanoma. The rest of the friends lived on, another thirty years, so far. Most of them. The old man could have told his son this, the sunburn and the melanoma (not the love making) and let it be a lesson. But sunburn, it’s a common health message now. Widely ignored by the bullet-proof generation. And anyway, there are no lessons except the ones you learn yourself - that you teach yourself - if you survive.


At first the brisket is meltingly delicious, but cloys towards the end, like a lot of things. The rigatoni turns out to be a shade too green and too much for the boy. One of the waiters comes out to the women’s table with a birthday cake. They all sing Happy Birthday Dear Emily at the tops of their voices. Five minutes later, when another cake arrives for another table next to theirs, the old man says to the boy, under the song, ‘You know what? I’m the oldest person here.’


The boy looks around. ‘You know what?’ he says. ‘I’m the youngest.’

They both have cheesecake for sweets.


In the end, it was a relief to get out of there. The meals were filling, the noise deafening. The old man had had a second glass of wine, which was just right, and the drinks waiter had brought the boy a soft-drink on the house when he saw the mocktail hadn’t been touched. The old man left a ten buck tip.


‘You left a tip!’

‘It’s only money.’

‘Wait till I tell Mum that.’

‘Mum’s not here.’

‘That’s why I said wait.’


When they came out it was dark, but the air still warm. They walked down the steps past the bright lights of the RSL to the north corner of the beach. Here the old man told his son how he’d been caught in the rip there when he was, how old, twelve, eleven? It was a cow of a day, a strong easterly blowing the sewage in from the outfall just around Ben Buckler, solid turds bobbing in the browny slop, condoms, household rubbish from the council tip, and he, caught in the relentless rip. The boy asked the old man why he didn’t swim sideways like they tell you to. No, he doesn’t know now, but eventually he dragged himself exhausted out of ‘the clutches of the sea’ and lay panting with his face in the foul and foamy sand, exhausted, knowing himself lucky not to have drowned. The boy wants to know why he didn’t swim up onto the rocks, but he doesn’t know anymore, he can’t remember; he probably didn’t want to be shredded by barnacles, might have been afraid of the deeper water just a bit farther out, might have been remembering the sandpaper skin of the fat sharks winched with jaws still snapping up the ramp to the boatshed for slaughter; he might have pictured in his mind while he swam and swam against the rip the boy-sized jaws of the sharks with their rows of ripping teeth displayed on the backs of the boatshed doors. He can’t remember; it wasn’t only yesterday, it was a long time ago.


‘When you were a dinosaur?’

‘That’s what I am now.’


Now, there were people on the beach. Some were just sitting together on the sand in the darkness. Others paddled in the ankle-deep shallows. Towards the middle, some parents with little kids, whose cries of delight slipped out into the vast night air.


At the southern end of the beach one of the promenade lights is out between the second and the first ramp, creating a darker area where the sand is widest and where a flock of silver gulls is settling for the night. In that darker zone the birds blend into the hillocky beach. The old man and the boy see them only when the headlights of cars turning into Queen Elizabeth Drive illuminate them. From somewhere a dog charges at the gulls and they take to the air, rise and wheel as one before settling again a bit farther on. The gulls don’t cry out, their only sound their feathers on the wind. But the dog hears that and charges again towards where they’ve landed.


‘Look, Dad,’ says the boy. ‘The dog’s caught one!’


The bird’s been brought down, has taken flight again, but the dog catches it again, leaping up with its paws, scratching it out of the air, knocking it down to the sand, snapping with its jaws. The bird is fragile and damaged and can’t escape. The old man runs over, shooing the dog away, clapping and waving his arms and shouting in his fiercest dog-scaring voice, but the dog takes little notice. It’s a monster of a dog, great dane maybe, and the boy wisely hangs back. A couple nearby come over to see what’s happened. The gull has taken cover in a shallow depression in the sand, one wing stuck out at an awkward angle, its eyes wide, its beak agape, squawking. The old man tries once more to drive the dog away from the injured bird, but the dog pounces in again. It’s only then that the other man steps in and calls the dog off. The woman calls to the dog and the dog goes to her wagging its tail. ‘Good boy, come on, Brutus, come on.’ Brutus comes and they all resume their stroll along the beach, taking in the sea air, ahhh, their feet splashing in the foam that lazes up the wet sand and sinks back again.


The old man and the boy stare at the injured gull, wondering what to do, whether there’s anything they can do. There might be a vet nearby, the boy suggests. Nine thirty on a Saturday night? No, they won’t treat a seagull anyway. Seagulls are feral. Like magpies, mynas. They wait for the gull to move, to compose itself; but it doesn’t move, it just stares back at them, one wing askew. ‘Poor thing,’ says the old man. ‘Poor thing,’ says the boy.


In the Hollywood version of events, the Super Hero swoops down the beach on his mission to save all lives, no matter how insignificant, and he zeroes in on the gull there hopeless with its broken wing. With gull tucked under arm, he zooms to his girlfriend’s sparkling apartment above the bay. ‘Ohh, poor Sweetie,’ the beauteous co-star coos. She knows in her starlet heart how to care for broken wings, how to restore with love and fluffy towels poor Sweetie’s will to live. And soon one day, Super Hero and girlfriend launch Sweetie back to the air from their balcony and see her swerve and circle above them to shrill out her joyous thanks before once again climbing the sky and tacking away above the surging tide towards her life’s fulfilment.

But here, now, the old man knows how things break; he’s seen it before. Drowned muttonbirds washed up. Dead dogs sometimes, bloated and floating around in the current, then creviced in the rocks at low tide. He’s seen too much mangled roadkill to not know. People broken in crashes struggling bloodied up to the kerbside from their wrecked and smoking cars. Sheer luck it’s never happened to him, given the risks he’s taken, especially in his youth, but not only then. He doesn’t say this to the boy. Best not to use your own stupidity as a lesson to your son in case he mistakes it as an example to follow. Let him go on with his life with proper trepidation, witness for himself the foolishness and misfortune of others. Let him watch the TV news. It’s all there. Things the father doesn’t tell the son. Moments of cowardice. Betrayals. Selfishness. Blind indifference to the suffering of others.


The old man and the boy leave the dark beach, stamp the sand off up the ramp to the promenade and head back in silence through the park to the bright hotel.


The beach cleaner is just starting the night’s work. It’s sci-fi/action-thriller looking, the alien craft with its bulbous searchlights on the mottled beach, the rake dragging behind picking up the rubbish discarded by the day’s crowds and leaving in its wake the swathe of sand groomed for tomorrow. It will collect plastic bottles and ice-cream wrappers, empty suntan tubes, discarded caps, tops and towels, dried bluebottles and cuttlefish and driftwood along the high tide mark. In a darker spot, a broken silver gull. This last is another thing the old man doesn’t mention to the boy, his son. Another thing they don’t mention to each other.


The air was quiet, choking on the stench of blood. The smell of a sterile room was sickening, dizzying.


The clatter of boots was heard, steady. A determined step in the owner of the boots was noticeable, close to a similar action of hunting. Seemingly harmless until shown the predator that can be faced, a monstrous creature that learned to survive instead of falling victim to the brutalness themselves can cause. The footsteps stopped, the black leather making an audible scream, filling the quiet room with such a loudness, it should be considered a crime in such a dead, dusted room. Looking through the mirror above showed a burly man, butcher perhaps, his lean body showing muscles through their clothes, his rugged body matched his firm demeanour, flawed only by the fact he’s chubby. For one man is not to be judged by personality, but appearance. A man with mahogany brown hair, reaching his shoulders with a messy personality, ends flicking up, curling naturally. The man's facial structure was thick with lack of emotion, a cold and stern appearance, eyes shown as a cold hazel. Once an earthy tone, dulled down by a never-ending winter. A smooth jawline that was adorned with slight stubble on the bottom of his chin, unable to grow nicely.


The cold floor was agonizing, as if hot coals burned into skin, sticking to it like a rash. It would feel better if it wasn’t for the tearing dry, leathery brown burn that stuck into his side. Torn in, injured from deep gashes that metal broke, bleeding around the torn remnants of a dull orange shirt, the dried gash ached. Being quiet was crucial, the butcher was the cause of this, all his injuries. A monster. Unstable. People would look at the butcher, he looked kind-hearted, nice in public, harmless. But alone? He was a stalker. A man who knew how to use blades and saws. A man who knew the human skeleton inside and out. The young adult, hiding under the bed, deep within the darkness of possibly the only thing keeping him hidden, ached. Trembled. The jaws of death were clamped hard around his skeleton, his brain overthinking ways to escape but was only met with the rugged breathing in front of him. The view was dizzying, darkness surrounding the edges of his vision, the butcher had claws of a lion. The dark tried to sooth the burns, poorly doing so.


“Sha...” The butcher gave a husky grumble, staring into the mirror. Yet his eyes glanced at the bed.


Sha. The sickening nickname he gave to the poor man, hiding under the bed. It made him shiver in disgust. It was disorientating for him. The burns, the false safety and the manipulation this butcher spoke while he hid. Irritating sometimes, but the man couldn’t speak.


He was in so much agony, he could probably only force out a choked sob. Sha meant ‘sweetheart’ to the butcher. The burnt man tried to crawl further into the dark underneath of the bed, wincing at the pain. The butcher already killed his nephew. His corpse laid on the floor of the dusty, yet preserved room they were in. He had a cleaver in the middle of his head, the sound of the skull against the metal was disorientating for the poor man. He had dropped to the floor with a thud when the cleaver was thrown at full force.


The butcher took a step towards the bed, his boots hitting the floor with a predatory advance. The butcher knew where he was, Afterall, the stench of fire and blood against the burnt man’s skin was a dead give away, let alone the rough and heavy breathing coming from under the bed, yet the butcher was used to that.


“It hurts my feelings, Sha.” The butcher made a low gravelly rumble, too aware. He was enjoying this game of cat and mouse. “Hiding from me. How about we exchange names, Sha?”


He stepped forward, feet reaching the edge of the bed. The poor man wanted to curl up and die, his breathing quickening and heart rate rapidly heightened. The Butcher hummed a cruel tune, something original yet disturbing, all while swiftly kneeling with a slight groan, his left knee hitting the floor with a thud. His weight was noticeable.


“My name is Colt.” He chuckled, a fist balancing him while he kneeled. “Judging by your.. Oh so... lovely screams by your.. Brother? Nephew?”


He cruelly joked, and in a quick moment, reached his burly, scarred arm underneath the bed as if showing off his reaction time, and roughly gripped the poor man’s burnt wrist, dragging him out while laughing only shortly, but sadistically, dangling up with a toothy, irregular grin. The poor man was only 5’11 meanwhile Colt towered over him by being 6’4.


“You’re Rory.” Colt grinned, pupils dilating predatorily. His grip only tightened, knuckles turning white and his grin only widened, a small line of drool fell down his chin.


Rory tensed at his name, freezing. His nephew had been screaming out his name while he was being chased by Colt, he even whispered his name weakly when the cleaver met his skull, now only reduced to a weak corpse against the floor. Rory was contemplating every situation now, from the burn that stuck to his side, disgusting frayed skin that numbed his entire left side to the traumatic mental image of the wide, blurry and clear eyes of his nephew who weakly lays on the floor.

Colt really knew how to play mind games and it was in the most disgusting game of cat and mouse that tore at Rory’s physical and mental health.


Colt only grinned wider at his tensed body, glancing down at Rory, then to the victims corpse on the floor.


Rory truly thought of his demise right then and there. Colt already failed and cooking him, haven tried to tie him to the top of a pot, showing Colt’s sadistic, cannibalistic nature.


“Let... Go... please....” Rory weakly begged with a gag and a cough, clutching his only good hand onto Colt’s thick arm.


Colt stopped, eyes narrowing and his grin faltering, before he dropped Rory with a sickening laugh, wheezing at his victims beg. “PLEASE?! AHA!” Colt wheezed hard, one hand resting on the side of his head, clutching at his long hair with a cough while the other remained clenched in a fist.


Rory stared at the ground, dizzy. His weak attempt made him laugh. This sick bastard found enjoyment in his suffering, in the thrill of the hunt. He contemplated his future then and there, stuck to the ground on his knees, stuck right beside to the dead corpse of his nephew, head downcast. If Colt didn’t end him quickly, he probably wouldn’t want to feel it, If Colt made him starve to death, he’d consider taking things into his own hands and grab the cleaver and shove it through his own skull, far and deep so he couldn’t entertain the thought of nursing him back to health. Just the sweet release of death. Then Rory thought of something while Colt remained laughing like a maniac. It was as if time moved slow, just to even allow him to have enough time to come up with this. Rory suddenly, had a burst of adrenaline, shooting his hand left and ripping the cleaver out of his nephews head. He’d have to stop mourning and deal with things himself if he wanted a chance to even mourn him properly. Rory shot up and took a weak slash at Colt, Colt immediately stopping his laughing fit and scowled, picking Rory up by his neck as a slow gash appeared across his cheek, slowly bleeding. Barely the equivalent of the torture he put through his two victims and as many more before Rory.


“Release the cleaver, Sha.” Colt snarled out, pissed off now. His voice carried a threat, something way worse than the mere slash Rory gave him.


Rory yet, refused to release the cleaver and swung his body to kick him in the crotch, making Colt tense at the injury and drop the hand that clenched around his neck, as the other hand was trying to pry the cleaver out of his hand.


Rory quickly panted in some air and used his stronger hand to punch him in the head with a fist, a sudden punch that made Colt grow dizzy, but even more angry then the mere kick to his crotch.


“You little shit!” Colt released his other hand from the cleaver, snarling out swears.


Rory took his chance, he gave a quick glance to the unfortunate ending his Nephew had received and shook his head, shoving his sadness down. He needed to get out with whatever adrenaline he had left, so with one final quick kick to Colt just to make sure he staggered behind, he bolted. Rory sprinted through the complex that Colt called home, and a maze for victims. The complex was large yet covered in old rusted materials, possibly scrapped, dried blood littering the dirt pathways that had been made by Colts wandering, going back and forth. Things were also overgrown, vines covering the metal roofs alongside with dead bushes surrounding some of the buildings. This complex was hidden all in the woods. The large forest that his and his brother decided explore because they wanted to be adventurous, because they were only young adults who wanted to find a good camping spot for fishing. They found it, however hell found its way to Rory. Rory ran, never stopping. His adrenaline carried him far as he dodged trees, sprinting through the forest and leaping over fallen logs and large roots from trees. He felt sick, the cold and brutal air against his burnt flesh was as if putting him in a meat freezer. Rory swore he could hear the heavy footsteps of Colt behind him, hearing him swear, yell out promises to catch him and make him suffer a worser fate then his nephew, to make sure he didn’t get away.


Rory stumbled through the forest, seeing shadows in the corners of his eyes, the sun was slowly rising and the footsteps stopped behind Rory as he reached his small town. He had endured the disgusting, hellish nightmare.


I’d like to see when cavemen roamed

Hairy heads to hairy toes

When dinosaurs walked the ancient land

Sixty million years ago


Trees as big as skyscrapers

Flies as big as my hand

A land of giants near and far

Sixty million years ago


I’d like to build a time machine

To take me back that far

To journey to my destination

Sixty million years ago


Exploring and discovering

Until every dinosaur is found

All creatures, land, sky and sea

Sixty million years ago


Then I build that time machine

And I go back in a zap

To a roaring, soaring fearsome world

Sixty million years ago


But oh no, where to go?

And what the heck is that?

A carnivorous creature comes towards me

Sixty million years ago


Now I want to go home

It’s not what I had in mind

This unspeakably ferocious land

Sixty million years ago


Quick, get back in!

Zoom away before it’s too late

Take me back to where it’s safe

Not sixty million years ago.

In the nursing facility she never calls home, I find my mother in the bed she has occupied since the brutal aneurysm claimed her balance and mobility four years ago. Her smiles these days are rare. Her eyes widen and her once warm, gentle smile contorts into a bewildered parody. But today even this version is not visible. She is clearly distressed.


‘Last night my whole family walked past that door. No one looked in. Not one. Not Mave or George, Rose or Poppy, Not Bill. Mum. Dad or Ray. Not even Poppy. They all looked straight ahead. Why? Why won’t they look at me? ‘

Her eyes glisten beneath her furrowed brow. Her hand goes to her mouth. I bolt shut my mouth to waylay the sob that threatens and blink away a tear. Once composed I say, ‘Perhaps it’s just their way of telling you it’s not your time yet..’ I’m struggling to put a positive spin on this latest reminder to my mother that everyone she loved in her youth is gone.

‘Perhaps… perhaps you’re right I just feel so … alone.”


In a vase brought from home I arranged the small bunch of late blooming roses I collected from mum’s garden. The thorns are vicious, but the fragrance is intoxicating. I place the vase on the laminated side table next to her hospital bed with the waterproof mattress protector that she finds comfortless. ‘Remember when I planted these?’ she says. I nod

‘You were only about five then. Coles were clearing them, so I got them for a song. They just needed some TLC. Funny. Given up for dead and now they’ll out last me!


I remember the Iceland poppies my mother would place in an amber vase on our oak sideboard. I have always loved them. So did my little sister, Dorothy. She loved them so much we even called her “Poppy”. Have ever I told you that? She had eyes the colour of cornflowers and a mop of curls that framed her beautiful little face. She was a favourite with everyone. Some of the men working in factory down the road would walk past kids at the factory gate who asked for their silken cigarette cards, and they gave theirs to Poppy. She would stand at our gate, hands out just like the big kids and say’ Tards pease’. She was so cute.


When I lost the sixpence I received on my fourth birthday in the long grass in our backyard, she offered me her ha’penny. I remember her chubby little hand as she held it out as she tried to comfort me’.

‘Here Maawg, don’t kwy,’ she said.

‘What did I do? I threw it into the grass. How I lived to regret that. I saw her stunned look and the tears in her beautiful eyes. I watched ashamed as she knelt, searching for her precious ha’penny. She searched in vain for that ha’penny, but she never once uttered a word of rebuke. Wise beyond her years, she was’.


I have heard this story so many times. I have watched my Aunt Rose and my mother sob as they recalled the minute details sixty years after the event. It is as if somehow the retelling of it wards off oblivion. But it was the day a moment’s distraction changed the fabric of my mother’s family forever.


On November 10th ,1914; my mother’s fourth birthday, the war to end three million lives and ruin countless others, was a bellicose infant. It was a time before sealed roads and fast transport. Before the proliferation of the telephone. Horses still had their role to play in the lives of working people.


On this morning, a horse pulling a heavily laden cart lost its footing on the greasy clay surface of the road and fell. There was a great ruckus as people ran to see first- hand the frantic horse as it struggled to get to its feet and the men trying to regain control over the terrified animal.


Mum’s eldest sister, Lily, was dusting the oak sideboard with her usual diligence. At fourteen Lily had left school to assist my grandmother. She had just lifted the decorative tin of Daisy Fly Killer when she was distracted by the excited voices of the gathering crowd and the cries of the stricken horse. She placed the dish on the dining table .and dashed to the verandah.


This tin was designed to dupe unsuspecting flies. It contained a prettily designed flower which proved irresistible to hovering flies containing as it did a concoction of a sugary syrup laced with colourless, tasteless arsenic.


No one remembered Poppy going into the parlour but go she did and spying the pretty floral container on the table pulled the lace cloth covering it towards her. Having secured her prize, she did what she always did to flowers; she kissed them. Like the hapless flies, Poppy too found the syrup sweet and sipped it. When Lily returned to her abandoned chores, she found Poppy licking the syrup off the flowers. Poppy looked up.


‘Pwiddy flowuhs,’ she said and smiled.


Lily snatched the container from the bewildered toddler and screamed for her mother. My grandmother, realizing the danger, prepared an emetic. From the icebox she took the jug of fresh milk and poured a large glass. She gentle entreated Poppy to drink all of it. She then stirred two dessert spoons of salt into a glass of warm water until it disappeared. Bending down she put the glass to Poppy’s pursed and by now trembling lips.


‘Drink up darling,’ coaxed my grandmother.

‘But mawmy, I ...” protested Poppy.

‘For me?’ entreated her mother


Poppy took only a few swallows then spewed the curdled milk over the glass over her mother’s hand.


She gathered Poppy into her arms and studied her face intently. It was clammy partly due to the effort it took to spew up the toxic cocktail, but her mother was not convinced that she had purged Poppy of the poison. So she carried Poppy a mile to the doctor’s.


She hadn’t given any thought to the fact that it was by now Saturday afternoon and therefore not the surgery’s opening hours.


She rang the doorbell and was greeted somewhat stiffly by the doctor’s wife. My normally reserved grandmother blurted out her predicament and the wife, now more sympathetic, showed her into the surgery and informed her husband. The doctor listened to my grandmother’s recount of events and examined Poppy. ‘Well, Mrs Fear, you did well to induce vomiting. I think you have rendered my services redundant.”


‘But I’m not sure how much she drank. Or if it all came up,’ said my grandmother. ‘You mothers worry too much. She’ll be fine”.


My grandmother, unconvinced, returned home with Poppy. By now the normally vibrant infant was listless and tired and my grandmother put her to bed. It was just on sunset when my grandfather and his eldest son, Jack arrived home from work. My grandfather walked into the kitchen, concern cloudy his grimy face.


‘Where’s Poppy?’ he demanded. He didn’t need to be told that something was wrong. He knew that when he arrived at the gate and she wasn’t there to greet him.


When he walked up to her cot she looked up and tried to smile but she managed only a pale imitation. For two days she lay growing paler, weaker, as bouts of vomiting and diarrhoea wreaked havoc on her tiny body. Dark circles formed around her eyes. Cornflower blue gave way to blue black ink. My grandfather, in desperation, gathered her in his arms to take her to Camperdown Children’s Hospital.


‘If you move that sick child, she might die and it will be on your head,

John,’ warned Aunt Louisa. Aunt Louisa was a midwife and attracted some of the kudos afforded nurses. My grandparents deferred to her perceived wisdom in medical matters.


And so, Poppy languished.


On the third day my grandfather refused to listen to anymore, quasi professional, anecdotal or well-meaning advice and gathered the featherweight child into his arms and drove in his dray along Parramatta Road to the Children’s’ Hospital.


There are choices you cannot remake; words you can never forget. They lurk, waiting for those moments when you are most vulnerable and then rise to tear away any defences you have tried to build.


‘If only you had brought her sooner…we could have pumped her stomach. We always do... as a precaution.’ the doctor said. And with that, she was gone.


What was the intent of those words? Warning? Indictment? Empathy? No matter. In twenty-four hours, all that was bright, gentle and joyous was extinguished. Rage and grief engulfed my grandfather.


Something in the family died too. My grandmother had lost two babies in the years before my mother’s birth, and she was to lose two more infants before the decade was out. But Poppy’s death was a body blow. Avoidable; preventable; futile.


The funeral confused my mother. Holding twelve-year-old Rose’s hand she followed the black horse-drawn hearse as it made its way through Rookwood Cemetery. As the hearse came to a curve in the road they caught a glimpse of the stately black horses, their heads adorned with matching plumes, and the small blue coffin visible through the glass sided hearse.


At the grave side the Anglican priest spoke in solemn tones. Those about her sobbed but my mother was transfixed by the pretty, flower strewn coffin suspended above the gaping rectangular black hole. When the attendants commenced to lower the coffin, she flung herself forward and screamed for them to stop. It was inconceivable that Poppy would be shut away forever from the light.


My grandmother pulled my mother back, gathered her into her arms and held her fast trying to comfort her.

…………

My aunt, Mavis, was born in late May the next year, followed by George, Lesley and Milton. Lesley died in the pandemic flu of 1919. Milton died eight days after his birth in 1921. George, a bonny child born in 1916, contracted rheumatic fever when he was three and struggled with its legacy all his life.


My grandfather worked hard delivering coal and the ice he produced with my Uncle Jack, but he never again allowed himself to become besotted by his infant children.


In the last year of his life he spoke to my mother, for the first time since Poppy’s death, of his enduring sadness. My birth had brought memories to the surface and without the diversion of work which had insulated him for many years he would play his accordion and sing. I would join him and he smiled as I danced.


Sitting on the back verandah with my mother looking over the same backyard which still concealed Poppy’s precious ha’penny, he reflected on the gulf created by Poppy’s death.


‘The rest of you… you were ye mother’s… but Poppy… she was mine.’

‘One day, dad, you will see her again…,’ she had said.

‘Ah.., but it’s the waiting ‘he said and then fell silent.

They never spoke on the subject again.


According to his wishes my grandfather lies at rest with Lesley, Milton and his beloved Poppy.


My mother never acknowledged November 10th as her birthday. Instead, she chose to celebrate it on 11th November, Armistice Day. Only when I applied for her birth certificate did I realise the ruse and understood its genesis. ……………………….

Enlivened once more by memory she says. ‘Have I told you about Poppy”, I smile. ‘I think you might have. But please… tell me again.’



Brinawa Intentional Community, 1985


First birdsong, she slides from the bed and is silent, silent, out, not breathing until she quietly closes the door.

It’s a familiar routine. She steps across the room to the fuel stove and reaches for the matches. She operates by muscle memory. The matches are not where they belong. Terry is home.


They are not on the table. So, maybe his pocket. In the gloom, she fumbles about, and with a small “Yes” of triumph, she locates the coat and is rewarded with a woody rattle. She pulls them out, and with them comes a small flat blue packet that she does not recognise. She moves the packet to the table and the back of her mind as she goes through the morning routine.


Once things are humming, she slips out into the cold grey morning light. It is well past dawn, but the sun has yet to climb above the mountain. Kookaburras share their first joke of the day, and it carries on the slight breeze.


Her breath is sharp as it goes in, and it leaves as a cloud.


She is used to the cold. She had grown up just over the ridge. But at Cornerstone, it was never like this. There, life was easier, and there was a toilet you could flush.


Oh, to have a toilet you could flush.


She heads towards the makeshift thunderbox, but instead, turns and squats behind the old peach tree. The white frost, frothing yellow urine, a hint of pinkish blood and the dull green grass catch her eye, and she smiles at the unexpected beauty.


Terry has promised that today he will empty the toilet pan, but she is not silly enough to fill it with wee in the meantime. She hopes he is staying home for a while. She is exhausted. “Okay, you mob! Rise and shine!” Three tousled heads move on their pillows, and three sleepy smiles come back at her. “Ten more minutes,” begs Terry, and she laughs at his desperation as the two children stumble from bed.


Kids at the table, and it is school-morning chaos. Burnt toast and spilt porridge, quiet sibling sniping.


“What’s this, Mum?” asks Kris as his dad enters the room.


They have all stopped what they are doing and are looking at Terry as he lurches across the table and roughly snatches the small packet from Kris’s hand. The moment is frozen. He looks her straight in the eye, and she feels his accusation and her unnamed guilt.


“You bloody kids need to keep out of my stuff!” he shouts and rams it in his pocket. He is out the door before the first protest erupts. Kris is crying, and Layne is indignant, and they are all shocked. What was that? What just happened?


Layne slides closer to her little brother.


“You are all right, mate, never mind,” she soothes, an arm draped over the small boy’s heaving shoulder.


They are all waiting for his return, thinking his absence a momentary thing, a call of nature. It’s his first morning home.


So, they wait. They ask their mother for answers even though they know she has none. They become fractious, and she becomes increasingly still.


She is puzzled by that little flat packet. It was a small, square, factory-sealed blue bag with white lettering, similar to the sterile dressing in the first-aid kit. She hadn’t bothered to read it in the gloom. She frowns, trying to remember.


His car keys are here in his coat pocket; he is out there somewhere.


As if she can read her mother’s mind, Layne says:

“He must of gone to Janelle’s.”

“He must have gone to Janelle’s”, corrected her mother.

“We have to say Jahna now, remember!” Kris is quick to correct both of them.

He is right. Several Brinawa women, as well as others from around the village, had become involved in the Centre of Light and had undergone a spiritual rebirthing process, during which they acquired new, exotic names. Janelle became Jahna.


‘Why would he go to Janelle’s?’ asks Callie of no one.


Janelle, or Jahna, has the nearest dwelling on Brinawa, but it is still a ten-minute walk away, and it is pretty early for a visit. None of it made sense. Janelle is her friend, not Terry’s.


When Callie had first come here at seventeen and pregnant, Janelle was the only one of the women to welcome her. The others displayed a kind of hostile tolerance. It had taken her years to establish any level of credibility. They were sophisticated, educated, and welltravelled women, and she was a kid, fresh from the local high school.


She is trying to keep it together, but a black pit of fear lies inside her. She just wants Terry to come home and pull his weight. She really, really wants an emptied toilet pan. She can do it, and she has done it. She can and does do just about every job around here. But this job simply does her in.


She tidies the children, packs them lunches, loads them into the old Land Rover, and drops them at school. They are all subdued.


Her father had given her the Land Rover a couple of years ago. Terry had left for the big antinuclear rally in Sydney, then travelled to Aquarius Revisited in Nimbin, and then he went off to Pine Gap. Terry was never in a hurry, and a three-day event always took at least a month. She never knew when it would be over until he walked in the door.


Dad had been ropeable. The very idea that Terry would leave the three of them on Brinawa with no car had had him incensed. Dad had begged Callie to pack up the children and move back to Cornerstone. When she refused, he gave her the old Land Rover.


It had been a tough year in many ways. During that first trip that year, when he had headed off to the anti-nuclear march, Terry had left them stranded. Janelle had saved her then. Early one morning, Janelle packed them up and took them to Social Security in Taree. It had taken all day, but by the time she was safely back at home, she was a Supporting Parent in receipt of her own payment.


She should have notified Social Security as soon as Terry came home. She did not. He was never around for long. Even her dad, the most law-abiding of men, encouraged her to maintain her autonomy.


Callie took control. She paid Hadley the rent, and she kept the cupboards stocked and the garden growing. She was the responsible adult here.


As she drives home, she feels the dull ache across her abdomen and an odd feeling of impending doom.


What had happened? It had to be that odd little packet, but what the hell was it? She can see it there in Kris’s hand, and she can see him rubbing his thumb backwards and forward, enjoying that odd squelchy feeling.


Now, Terry has skulked off while she was on the school run. A gasp of pure exasperation escapes her, and her head drops to the steering wheel. She is so tired of never being warm or clean enough and never having any downtime.


Inside the shack, his coat is gone, and the table holds no note of explanation. She looks into the bedroom and sees that his bag is gone too, never unpacked. He has never left without her washing his clothes. Something is very wrong.


She thinks of the firewood, and worse, she thinks of the toilet pan and then her abdomen cramps viciously, and a tear of self-pity slides down her cheek.


She has walked to Janelle’s and is breathing in the smoke from her friend’s chimney when she sees Graham’s dog starting to rip into a garbage bag on the step.


“No, Dudley! Bad dog!” she yells, and the dog disappears as Janelle swings the door open.


Callie steps towards her, expecting her warm embrace, but Janelle is focused on the garbage spilling onto the grass.


She steps quickly past Callie and begins stuffing rubbish into the bag. Callie watches colour rise in her friend’s face as she picks up a wet-looking, whitish plastic bag. By her foot is a small, empty blue packet, and even from where she stands, Callie can read the word Durex printed diagonally across it.


She sees it clearly now.


Durex.


It lands inside her like a stone.


Jahna is calling out her name, begging her to wait, but Callie is already moving, the sound falling away behind her.


She has done enough waiting.



ABOUT

In memory of Leone Hooke

In memory of Joyce Buswell

In memory of Louise Stewart-Scott

Entries open - Friday 20 February 2026


Entries close - Sunday 26 April 2026 11 pm


Winners announcement - Saturday 13 June

Gloucester Gallery

25 Denison St Gloucester

Doors open at 2 pm for a 2.30 pm announcement.

  • All genres accepted eg plays, prose, songs, drama, essay, poetry 

  • Maximum number of words - 2000 

  • All ages encouraged to enter

  • Entries should be submitted in English, using one side of A4 paper, typed double-spaced (except poetry) in a standard typeface (12 pt min.), using generous margins. No fancy fonts, clip art or decorations of any kind.

  • File type: PDF 

  • File name: the title of your work only.

  • NO NAMES OR ADDRESSES TO APPEAR ON MANUSCRIPTS. Title and page number (ONLY) of the entry should appear on each page of the manuscript.

  • The entries will be judged on originality, creativity and writing skill. The judges decision is final.

  • We cannot return submitted manuscripts, keep a copy for your records.

  • Entries must be original work and must not have won a cash prize in any other competition nor been published in any form, as at the closing date of the competition. 

  • Entries may be entered in more than one competition at the time of entry HOWEVER the entry must be withdrawn from any subsequent competitions if the writer is advised prior to the closing dates that the entry was successful elsewhere with a cash prize. 

  • Copyright remains with the author. Please mark on the entry form if you do not want your entry to be made public.

  • Cost $5

  • Entries must be received no later than 11pm on Sunday 26 April 2026

  • Complete the online entry form below, once this has been submitted, email your entries to quills@artsgloucester.org



Our Judges

Alison Gorman

Alison Gorman is a poet and teacher who lives between the Northern Beaches of Sydney and a cattle farm near Gloucester. Her work has been widely published and shortlisted for major Australian and international poetry prizes. Her debut poetry collection ‘A Woman Talks to Her Tongue’ was published in 2025. She holds an MA in Creative Writing from the University of Sydney and teaches creative writing to children through Inkling Writing Studio, which she founded in 2018.


Michael Duffy

Michael is a former editor and publisher and founder of the BAD Sydney Crime Writers Festival. On moving to the Blue Mountains he decided to write a series of crime novels that would reflect the unique character of our towns and landscape, and the effect they have on people. “Country affects character,” he says, “just like it affects wine. I want to write crime novels in which the people and places –- and the weather! - are as important as the crimes.”

Tess Nolan

Tess Nolan is an English teacher, librarian, and mum of three. She loves the powerful impact of stories on young people, loves to read, and when time permits, loves to write.

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